嗓音的英语？嗓音英语是[词典]throat; voice; sound; vocalization;[例句]He recited a poem with a frog in his throat.他用略带沙哑的嗓音朗诵了一首诗。嗓音分类——在声乐表演中，根据演唱者的性别和嗓音的特性、色彩及音域等，大致可分为下列各声部：①戏剧性女高音。声音浑厚，壮实有力，那么，嗓音的英语？一起来了解一下吧。
noise 是指噪音 eg: i heard some noise outside
vioce 是声音，但只用在人类上面 eg: he has a great vioce
sound 跟vioce是差不多的意思，但是用在事物上面 eg: that the sound of the wind
voice
[vCis]
n.
(1) 声音, 嗓音, 发音能力, 意见, 发言权, [语法]语态
vt.
(2) 表达, 吐露
现代英汉综合大辞典
[基本词义]
voice
[vCis]
n.
(1) 说话声; 嗓音; (禽, 虫)鸣声; [喻]呼声
(2) (公开表达出的)意见; 愿望; 发言权; 投票权; 参与权
(3) 表达; 表露; 喉舌, 代言人
(4) 【音】语态; 有声音; 声带振动
(5) 【音】声部; 嗓子运用法; 歌唱的才能; 歌唱家
at the top of one's voice
用最大的嗓门
a chorus of 100 voices
百人大合唱
[词性变化]
voice
[vCis]
vt.
(1) (用语言)表达; 吐露
(2) 【音】调整(乐器的)音;【语】使发成浊音
He voiced the feelings of the crowd.
他表达出群众的情绪。
[继承用法]
voice-frequency
n.
(1) 音 频, 声频; 话频
voicegram
n.
(1) 录音电话
voice-over
n.
(1) (电视等的)画外音(评论员的解说)
voiceprint
[`vRIsprInt]
n.
(1) (用仪器描录的)声波纹
voiceful
adj.
voicer
n.
[习惯用语]
be in (good) voice
(1) 嗓子好
find one's voice
(1) (吓得或羞得说不出话之后)恢复说话了
give one's voice for
(1) 赞成
give voice to
(1) 说出, 表达, 吐露
have a [no] voice in sth.
(1) 对某事有[无]发言权
in a hushed voice
(1) 低声(私语)地
in bad [out of] voice
(1) 嗓子不好
in my voice
(1) 以我的名义(莎士比亚语)
lift up one's voice
(1) 大声疾呼, 叫嚷
lose one's voice
(1) 嗓子哑了
lower one's voice
(1) 低声说话, 压低嗓子
raise one's voice against sth.
(1) 为抗议某事而大声疾呼
recover one's voice
(1) 开口说起话来
round voice
(1) 宏亮而柔和的嗓音
speak under one's voice
(1) 低声说
strain one's voice
(1) 喊坏嗓子; 扯起嗓子喊
the public voice
(1) 舆论
the still small voice
(1) 良心的呼声
The voice of one man is the voice of no one.
(1) [谚]一个人的意见不起作用。
sound [简明英汉词典]
n.声音, 语音, 噪音, 吵闹, 海峡, 听力范围, 探条
adj.健全的, 可靠的, 合理的, 有效彻底的, 健康的
adv.彻底地, 充分地
vi.发出声音, 回响, 测深, 听起来
vt.使发声, 宣告, 听诊, 测...深, 试探
voice [简明英汉词典]
n.声音, 嗓音, 发音能力, 意见, 发言权, [语法]语态
vt.表达, 吐露
noise [简明英汉词典]
n.喧闹声, 噪声, 噪音
Finding your voice
by Christopher Meeks
Developing a voice in your writing is a notion that passes over me every now and then like the "thung" sound of an error message on my computer. "I should develop a voice," I think. "My voice is off today," I think. "Maybe I should work on that voice thing," I think.
To some people, the image of "voice" may be akin to a rotund person belting something out in Italian in front of a lot of penguin-suited people paying big bucks waiting for the crystal to shatter. It's not a bad image, though, because a solid voice in writing should indeed stimulate and shatter.
Or, if that metaphor's a bit too extreme, think of "voice" as simply like your own voice. Despite how many people there are, our voices are rarely so similar that someone would confuse you for someone else. That's just how a voice in writing is—it's clearly you.
A voice on the Web: Strive to create a "text" voice that is as distinctive as your speaking voice.
We can't all be Hemingway:Don't try to write like someone else; find your own voice and don't try to change your demeanor.
Write like you talk: It really can be that simple.
Let your passion be your guide:Follow the urge; follow the idea.
Let me entertain you: All writing, even the most serious, is a form of entertainment. Find the words that keep your readerinterested.
Your view on the world: Your specialty, your interests will color your view on the world—not to mention your writing.
Find the feeling: If you find the feeling that belongs to a piece of writing, the piece may write itself. There is no bad first draft. Let yourself go.
Since most of the information on the Web is text, you want your text to have a real voice, like your own. Not some "official" dry voice like one of those monotone announcements at the airport, but something that reads like a real person, something with some life in it.
I can recognize voice in other people's work. I simply have a difficult time seeing it in my own. [Editor's note: Chris actually sounds an awful lot like he writes, but just the way your own voice may sound strange when you hear it on a recording, sometimes writers don't hear their own voice in their own writing, which is where a good editor comes in :) Now, back to our regularly scheduled programming.]
One of the great voices of the century is Ernest Hemingway. His voice, especially in parodies of his work, is quite recognizable. What made his work last so long, however, was his ability to hone and hone and hone his work until every word was the one he wanted—and the words carried power.
Is there a way to work on "voice"?
OK, we aren't Hemingway...
We all want to change the way the next few generations speak, write, and think. The truth is, it's more important to learn how to write in your own distinctive voice than to try to write like someone else. Maybe your style isn't dramatic. Maybe it's soft-spoken. Or direct. Casual, or formal.
How do we do that? Here are some of my thoughts--in random order--on the subject:
Most days I don't worry about voice. It's like worrying about whether you're tall enough or not. You may be too short for your pleasure, sure, but what can you do about it, aside from high heels? It's like analyzing your personality. If you're morose overall, are you going to start telling jokes? If everyone thinks of you as quiet, are you going to talk a lot until everyone forgets that quiet person you really are? If you write with honesty (see last month's column), you're likely to be spilling out a voice whether you know it or not. Write, and they will come.
Write like you talk. It really can be that simple. Say something. Then write it. Use a tape recorder if you want. When you're done, read what you wrote, aloud. If it sounds stilted or wooden, stop for a moment. Think about what you're trying to say. Say it aloud. Then write it down.
When I find myself in times of trouble, Mother Mary comes to me. Let it be. Actually, the person who comes to me is my late friend, Robert Lee. As I mentioned in the previous column, he said the writer or artist "cannot know what he or she's doing. And the more people let themselves be bugged about 'Art,' the more trouble they make for themselves."
In other words, let your passion and what you're trying to say guide you. Don't try to be who you're not. Lee added, "I think you must follow the urge, follow yourself, follow the child within you, do the Joe Campbell bit: 'Follow your bliss.' Follow the implantations from your senses. We're constantly having transplants of ideas. The big thing today is organ transplants, but we're also discovering renewed spiritual health through the transplantation of ideas. This is an even more spectacular advance because it's the way nations change. Think of the transition from feudalism to the Enlightenment. The key was there. The key was turned. The door opened. The artists entered."
Writing is entertainment. Another writer with a practical sense about him is novelist John Berendt (Midnight at the Garden of Good and Evil) who, in a list of 10 suggestions, includes this advice: "Think of writing, even the most serious writing, as a medium of entertainment. I mean entertainment in the broadest sense: engaging the reader's mind and keeping the reader interested. What good is a piece of writing, however brilliant, if nobody reads it all the way through? Always ask yourself, 'Are they still paying attention?'" In other words, if you concern yourself with the reader more than concerning yourself with you ("Let's talk about me") then you're subconsciously working on a good voice. This also suggests that "voice" can be tweaked. If you realize you're not funny enough or interesting enough, you can go back and rewrite. Rewrite. Writing is about rewriting.
Everyone sees the world through his or her own specialty. A novelist I know went on a blind date with an optometrist (built-in irony!), and she not only suggested new glasses for him, but after the movie they saw, she spoke about which actors had contacts or needed glasses. He spoke about the film in literary terms, of its "character arc" and "turning points." Their specialties made them see the film in different ways.
When my wife and I were on our honeymoon in Denmark, we attended a Mid-Summer Night celebration (the first day of summer, the longest day for sunlight). As we were walking back from the big bonfire, still dusk at 10 p.m., I happened to be talking with a physicist, who was smiling about the fire and said how simple the universe was. Everything—my shirt, the moon, the fire we just witnessed—all could be reduced to the elements of the periodic chart. To him, the fire was all about atoms arranged a certain way. To me, the fire was about the drama of neighborhood people throwing a figure of a human onto a furnace fueled by wood. In other words, we each carry our voice with us.
"Finding the right voice will help you write better than you ever thought yourself capable of writing." say author Ken MacRorie in Telling Writing. And how do you find that voice? "There is nothing so good as feeling to control actions… If you can find the feeling that belongs to a piece of writing you want to create, then the composing may be accomplished almost without your help, and it will be true in tone, and compelling."
He's saying there's an instinct that takes control if you allow yourself to let your words flow. Remember, there is no bad first draft. Let yourself make mistakes—you can fix them later—but in letting yourself go, you'll also come up with material that surprises you.
Let yourself go as in dancing. If you concentrate on every step when you dance, your rhythm will be artificial (if you have rhythm at all).
Feel the music and move with it. Feel the rhythm of words, feel the poetry pull at you. Let out a haiku. Put in some alliteration. The sound is around you. Let go. Let it be. Type. Flow.
Boom. That's it.
哎呀，这两个单词我太懂了~~对于能够一次性通过大学英语四级的人来说，对付这两个基本的词汇还是绰绰有余的~~给大家总结了一个表，先粗略的看一下~~
【含义】
1、sound 的含义。读音：英 [saʊnd] 美 [saʊnd]
基本解释：n. 声音，响声；声，声响；音响；嗓音;；印象；海峡
v. 听起来好像，让人听着好像；听起来…的；（使）发出声音，响；鸣警报；发（音）；测（海或湖的）深度
adj. 明智的，合理的；正确的；可靠的；透彻的；完备的，全面的；完好的，无损伤的；健康的，未受伤的；酣畅的；不错的；严厉的
adv. 酣（睡）；（睡得）沉
2、listen 的含义。读音：英 [ˈlɪsn] 美 [ˈlɪsn]
基本解释：vi. (注意地)听；听从；听信；(让对方注意)听着
n. 听
第三人称单数： listens；现在分词： listening；过去式： listened；过去分词： listened
【用法区别及举例】
1、listen 用作不及物动词，后面需要加上介词to才能接人或物作宾语。
以上就是嗓音的英语的全部内容，“你的声音很好听”用英语：You have a sweet voice.【例句具体介绍】：1、艾米：你应该当个配音演员，你的声音很好听。Amy: You should be a voice actress. You have a very dynamic voice.2、如果你不介意我这么说的话，你有一个很好听的声音。内容来源于互联网，信息真伪需自行辨别。如有侵权请联系删除。
